If I thought I couldn't find words to describe the last couple weeks and all the amazing experiences I've had, I am truly stunned by what took place yesterday. Starting with watching Celebration online, spending two nights in Seattle with my girls on a lovely stay-cation, witnessing the Suquamish Tribe's Ceremony to honor the Killer Whales, seeing the Suquamish Canoes depart for a 500 mile 3 week trip to Bella Bella, hearing the power of amazing drums at the Muckleshoot pow wow and visiting an exhibit of art based on Social Justice by Latoya Ruby Frazier at the SAM.
Watching Celebration online for 3 days actually left me feeling high. Hearing Tlingit spoken, listening to stories of songs and stories of our history that are generations old, seeing so many children speaking Tlingit, and witnessing the wealth of our Peoples made my heart so happy. I am so grateful I took Tlingit language in college, because now I have some hope of understanding what is being shared, even a tiny bit. When I watched how much wisdom and knowledge our Peoples possess, I was confident that it is only a matter of time when we reach a point of healing historical trauma that enables us to quickly rebuild our Communities.
Witnessing Suquamish's powerful and eloquent honoring of the visits of the killer whales again was a symbol of strength, true wealth and healing of historic trauma. Knowing that Indian dancing and ceremonies were at one time illegal and today we are reviving these Ancient and Sacred traditions, it heals an injury that hurt our preceding generations. The absence of our language, our songs and dances Robert Davidson eloquently carved in We Were Once Silenced. We have had to slowly research and rebuild, our language, our songs and dances, our Art.
Listening to the drums at the Muckleshoot Pow Wow is hard to describe. But the power of the drums vibrate throughout your body. My heart feels like it expands and a good song can transport you to another dimension. Time can seem to stop. Seeing the dancers always leaves me amazed. Their strength and agility is magnificent. The Regalia always blows my mind, the sheer volume of talented artists and designers is incredible. Is there another group of people on Earth producing this much artwork simultaneously?
These three events are proof that we in Indian Country are truly healing the historic trauma we have experienced since our Homelands have been invaded. Our land, our ways of subsistence, our children and our way of life have all been stolen along this dark path. But we have survived. We self medicate the theft, poverty, racism, violence and grief and now have to deal with consequences of multi-generational addiction. But even as we still feel the pain of the dark path, the bright Sun of a New Day is dawning. If you look closely you can see the re-birth of Sacred Traditions that heal and bring both prosperity and peace. When Indian Country heals so does the whole human family.
Robert Davidson shares in the video accompanying Abstract Impulse that the Art, Songs, Dances, Language and Ceremonies are all interwoven. You cannot separate them. In Tlingit the idea of At.woo from my understanding is objects become so Sacred that they not only represent the Ancestors, but it is believed they are the Ancestors. They are treated with the highest regard and kept safe, our precious treasures.
So yesterday, Gunalcheesch to the Creator of the Universe and the Ancestors, I was in the presence of so many At.woo that I cannot describe it. I believe in Synchronicity, that I will be exactly where I am meant to be when I am meant to be. So last Tuesday after a long full 3 days of fun-filled days in the Big City I was debating whether or not I could pull myself together for the Suquamish dinner for the Canoe Journey. I didn't even realize that there was a Ceremony planned, too. After the honoring of the Killer Whales (my clan by the way, wink), I met Sven from the Burke Museum. He invited me to come visit. I immediately, that night, emailed and we began discussing a good time for both of us.
I didn't realized his invitation meant visiting the storage facility at the Burke. As soon as he brought me in I was stunned by the number of bentwood boxes in front of me. I recognized the age and period of some of the pieces from the SAM and the catalog of Abstract Impulse. He and his colleague, Justin, were talking to me and my brain was completely at max capacity. I was trying to look at the precious treasure in front of me AND discern what they were saying. After I understood I was allowed to take pictures, I took photos of nine objects. The Sacred objects are stored in sliding shelves, huge ones, and I can't even remember all of the pieces I saw. It's a blur. As each shelve was moved and a new shelf was accessed my brain seemed to slow down more and more!
All day afterwards I felt like I was recovering from shock, not quite fully present. I immediately texted my Mom and sisters to tell them what happened. I called my Dad. And this morning, I'm still processing one of the most wonderful blessings I have experienced in my life. My personal journey of flaming my passion for Art and especially Art in Indian Country seems to have arrived at a new level.











